Enxugando gelo: pirataria e direitos autorais de obras audiovisuais na era das redes
DOI:
https://doi.org/10.30962/ec.193Keywords:
Direitos autorais, Cinema, AudiovisualAbstract
The digital circulation of audiovisual products, in “official” form - when the owners of the patrimonial, authorial and connected rights have, theoretically, remuneration chance -, and in alternative form - the known “piracy”, through Internet, or through ambulant salesmen that sell DVDs - it is a world-wide reality. The campaigns anti-piracy, promoted for the great deliverers, are each time more aggressive. At the same time, in Brazil, there is a legal fight for the collection of referring copyrights to the musical tracks of the films shown in the cinema rooms. This paper looks for to demonstrate that there is one same logic in these two confrontations (that repeat facts happened in century 19, when of the invention of the photograph) and that this logic is far from the the situation of the authors.Downloads
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