Cao Guimarães: for a writing that is done while thinks itself
DOI:
https://doi.org/10.30962/ec.1214Keywords:
Filme-ensaio, Cao Guimarães, Cinema da superfície.Abstract
This paper focuses on the work of the artist and filmmaker Cao Guimarães, interested in the aesthetic aspects of their work and their latent political implications. Our goal is to raise the most recurrent stylistic traits of his film work, through a film overall examination, which would enable us to verify the approaches that the entire work remains with the film-essay, to finally propose the perception of the cinematographic work of Cao Guimarães while a cinema of surface, to believe that such a notion allow an agglutination between his essayistic inflection and political implications that we believe to be a thread of this.Downloads
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