Discussing quality: critical vocabularies and popular television drama

Authors

  • Christine Geraghty

DOI:

https://doi.org/10.30962/ec.125

Keywords:

Soap opera, Melodrama, Comunidade, Televisão britânica, Zygmunt Bauman, EastEnders

Abstract

British soap operas have a history which is rooted in realism, a strong sense of community and the serious treatment of social issues. This essay argues that in the late 90s/early 2000s British soaps have adopted a more melodramatic aesthetic with an emphasis on the isolated individual, extreme situations, symbolic landscapes and moral polarity. Following Zygmunt Bauman, it suggests that such changes reflect the feeling that the idea of society is under siege.

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How to Cite

Geraghty, C. (2007). Discussing quality: critical vocabularies and popular television drama. E-Compós, 8. https://doi.org/10.30962/ec.125

Issue

Vol. 8 (2007)

Section

Special Issue

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