Cinematic image and thought: the perception image at the confluence of Deleuze and Peirce theories

Authors

  • Maria Ogécia Drigo

DOI:

https://doi.org/10.30962/ec.1264

Keywords:

Deleuze/Peirce. Imagem cinematográfica. Imagem-percepção.

Abstract

This paper presents results of the research whose theme is the relationships between cinematic images and thought developed by Gilles Deleuze, in the book Movement image Cinema 1, at the confluence with theories of Charles Sanders Peirce, especially those that deal with the taxonomy of signs and phenomenological categories. In order to achieve the goal to explicit the approaches among perception image, one of the movement-image components, concept proposed by Deleuze, in this book, the theory of perception and phenomenological categories in Peirce's perspective, as well as review the classification given by Deleuze to the image-perception, according to Peirce's classification, we present reflections on the concept of movement-image, about theory of perception and phenomenology of philosophical architecture undertaken by Peirce and, finally, we explore the classification of the perception image given by Deleuze. The importance of this paper is to highlight the potential of this interlacement of ideas of Deleuze and of Peirce to moving image analysis.

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Published

30-08-2016

How to Cite

Drigo, M. O. (2016). Cinematic image and thought: the perception image at the confluence of Deleuze and Peirce theories. E-Compós, 19(2). https://doi.org/10.30962/ec.1264

Issue

Vol. 19 No. 2 (2016)

Section

Cinema

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