The success of gluttony: totem image indestructibility in Aylan Kurdi’s case

Authors

  • Ana Paula da Rosa

DOI:

https://doi.org/10.30962/ec.1298

Keywords:

Imagem, Circulação, Midiatização.

Abstract

In a scenario marked by mediatization, the culture is crossed by communication logics that are evident in the media devices. Such context is the background of this article that aims to discuss the circulation of the image of Aylan Kurdi, found dead on a beach in September 2015. From the hypothesis of five movements of circulation (ROSA, 2016), we question: in what extent do the social and mediatic phagias, perceptible by the consumption and replication of photographs, allow to mobilize the program of gluttony created by Flusser? In order to answer this question, we developed the empirical analysis of the case, besides the conceptual tension of iconophagia (BAITELLO JR, 2005), gluttony (FLUSSER, 2006), in addition to the contributions of mediatization.

Downloads

Download data is not yet available.

Downloads

Additional Files

Published

26-08-2017

How to Cite

da Rosa, A. P. (2017). The success of gluttony: totem image indestructibility in Aylan Kurdi’s case. E-Compós, 20(2). https://doi.org/10.30962/ec.1298

Issue

Vol. 20 No. 2 (2017)

Section

Imagem

License

The submission of originals to this journal implies the transfer, by the authors, of the printed and digital publication rights. The copyrights for the published articles belong to the author, with the rights of the journal over the first publication. The authors can only use the same results in other publications, clearly indicating this journal as the source of the original publication. Because we are an open-access journal, the free-of-charge,educational, scientific, and non-commercial use of the papers is allowed, as long as the source is cited.

Authorship

Any person who has effectively participated in the conception of the study, the development of the experimental part, the analysis and interpretation of data and the final wording, is considered as an author. By submitting an article for publication in E-Compós Journal, the author agrees with the following terms: 1. The author keeps the rights on the article, but its publication in the journal automatically implies the full and exclusive disposal of the copyright rights for the first edition, without payment. 2. The ideas and opinions expressed in the article are the sole responsibility of the author, not necessarily reflecting the views of the journal. 3. After the first publication, the author is authorized to take additional contracts, independent of the journal, for the dissemination of the paper by other means (e.g. when publishing in the institutional repository or as a book chapter), provided that the complete citation of the original publication. 4. The author of a published article is allowed and is stimulated to distribute his work online, always with the proper citation of the first edition.

Conflicts of interest and research ethics

If the developed research or the publication of the article may raise doubts as to potential conflicts of interest, the author should declare, in a final note, that no links to funding bodies have been omitted, as well as to commercial or political institutions. Similarly, the institution to which the author is bound should be mentioned, as well as others that may have collaborated in the execution of the study, evidencing that there are no conflicts of interest with the result already presented. It is also necessary to inform that the interviews and experiences involving human beings have obeyed the established ethical procedures for scientific research. The names and addresses informed in this journal will be used exclusively for the services provided by this publication, not made available for other purposes or to third parties. The copyrights belong exclusively to the authors. The licensing rights used by the journal consist in the Creative Commons Attribution 4.0 (CC BY 4.0) license: sharing (copying and distribution of the material in any media or format) and adaptation (remix, transformation and creation of material from licensed content for any purposes, including commercial) are permitted.