Entre “alegres” e “livres”: prazer e repressão à pornografia nos cinemas do Rio de Janeiro (1907-1916)
DOI:
https://doi.org/10.30962/ec.1623Keywords:
Cinema silencioso. Pornografia. Consumo.Abstract
Este artigo aborda as articulações entre consumo cinematográfico, pornografia e público no Rio de Janeiro durante a Belle Époque, mais precisamente a partir de duas questões: de que modos a exibição cinematográfica condicionou o consumo de obras consideradas pornográficas? E como as campanhas de repressão à pornografia nos cinemas atuaram nesse consumo? Partimos da hipótese de que o consumo de filmes pornográficos foi percebido como uma poluição em relação ao ritual de ir ao cinema. Em uma escala maior, esse consumo também pode ser percebido como uma poluição às concepções de honra sexual vigentes no período. Como metodologia, adotamos o paradigma indiciário, tal como exposto por Carlo Ginzburg.
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