Programas de pesquisa sobre o audiovisual: anomalias em Godard e Guel Arraes
DOI:
https://doi.org/10.30962/ec.184Keywords:
Programa de pesquisa, Audiovisual, Pós-modernismoAbstract
Based on the concept of scientific research program, certain anomalies presented in Brazil by the audiovisual research are analysed here. Postmodernist characteristics of some Godard's first phase films, such as A Woman is a Woman (1961) and Alphaville (1965), have led to problematic analyses and evaliations in researches guided by the oppositional program showing lack of knowledge of Guel Arraes's cinematographic links with his televisive production.Downloads
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