Cinematographic images and imagination
image-action/the larg form via American Beauty film
DOI:
https://doi.org/10.30962/ec.1923Keywords:
Deleuze/Peirce. Cinematographic image. Image-action: the larg form. Diagram.Abstract
The taxonomy of cinematographic images proposed by Deleuze in Cinema I The movement-image and Cinema II The time-image and these images’ relation to imagination, as experienced through images, is this paper’s theme. In order to suggest of filmic analysis can focus on cinematographic images, the aim is to make explicit those peircean theories which contribute to understanding the movement-image’s divisions; to explain the divisions of movement-images’ and action-images’ and to emphase on the large form – diagram - by analysis of scenes from the film American Beauty. This paper’s relevance is established by the reflection it encourages on the dialogue established by Deleuze with Peirce’s theories; besides evaluating the potential of cinematographic images’ classification for understanding the relation between these images and thought or on signs in action in the spectator’s thought.
Downloads
References
ALVES, Giovanni. Análise do filme beleza americana. São Paulo: Práxis, 2010.
ARAÚJO, José Antônio. Beleza americana: o mito do sonho americano. Revista Cogito, Salvador, v.7, n.1, p. 65-69, 2006. Disponível em:
<http://pepsic.bvsalud.org/scielo.php?script=sci_arttext&pid=S1519-94792006000100010>. Acesso em: 15 out. 2019.
ARAÚJO, Paulo Roberto Monteiro de. Um filme de resistência? O multiculturalismo em
Beleza Americana. Fenix: Revista de História e Estudos Culturais, v. 9, n. 3, p. 1-7, set./dez. 2012. Disponível em: <http://www.revistafenix.pro.br/artigos30.php>. Acesso em: 14 out. 2019.
AUMONT, Jacques; MARIE, Michel. A análise do filme. São Paulo: Texto e Grafia, 2013.
BELEZA AMERICANA. Direção de Sam Mendes. Produtora: Bruce Cohen & Dan Jinks, Estados Unidos. 1999. 1 DVD, Cor, 121min. Título original: American Beauty. Legenda em inglês.
CHEVALIER, Jean; GHEERBRANT, Alain. Dicionário de símbolos: mitos, sonhos, costumes, gestos, formas, figuras, cores, números. 22. ed. Rio de Janeiro: José Olympio, 2008.
DEACY, Christopher. Integration and Rebirth through Confrontation: Fight Club and American Beauty as Contemporary Religious Parables. Journal of Contemporary Religion, v. 17, n.1, p. 61-73, 2002. Disponível em: <https://www.researchgate.net/publication/248981964_Integration_and_Rebirth_through_Confrontation_Fight_Club_and_American_Beauty_as_Contemporary_Religious_Parables>.
https://doi.org/10.1080/13537900120098165. Acesso em: 8 jan. 2020.
DEBATIN, Luciana; SOUZA, Osmar de. A (des)construção da ideologia no filme beleza americana. Linguagens – Revista de Letras, Artes e Comunicação, Blumenau, v. 8, n. 1, p. 02-27, jan./abr. 2014. Disponível em: <https://proxy.furb.br/ojs/index.php/linguagens/article/view/4135>. Acesso em: 14 out. 2019.
DELEUZE, Gilles. Cinema 1: A imagem-movimento. Lisboa: Assírio & Alvim, 2009.
______. Cinema 2: A imagem-tempo. São Paulo: Brasiliense, 2013.
DRIGO, Maria Ogécia; SOUZA, Luciana. C. P. de. Aulas de semiótica peirceana. São Paulo: Annablume, 2013.
DRIGO, Maria Ogécia. “A Lei da Mente” de Charles Sanders Peirce e a relação com novos espaços, novas modalidades visuais e espaços de vivência. Semeiosis: semiótica e transdisciplinaridade em revista. 2012. Disponível em: . Acesso em: 10 dez. 2018.
DRIGO, Maria Ogécia. Imagem cinematográfica e pensamento: a imagem-percepção na confluência de teorias de Deleuze e Peirce, E-Compós, v.19, n. 2, 2016. Disponível em: <https://www.e-compos.org.br/e-compos/article/view/1264>. https://doi.org/10.30962/ec.1264>. Acesso em: 15 dez. 2018.
GONZÁLEZ, Xavier Jiménez. American Beauty (American Beauty). alência: Nan Llibres, 2018.
LUZ, Guilherme Gonçalves; SILVA, Alexandre Rocha. A imagem-pulsão: Deleuze entre Peirce e Freud. In: CONGRESSO BRASILEIRO DE CIÊNCIAS DA COMUNICAÇÃO, 35., 2014, Foz do Iguaçu. Anais... Foz do Iguaçu: Intercom, 2014. Disponível em: < http://www.intercom.org.br/papers/nacionais/2014/resumos/R9-2486-1.pdf> Acesso em: 15 out. 2019.
LUZ, Guilherme Gonçalves. A imagem-pulsão em dispersão no cinema brasileiro. 2015.171 f. Dissertação (Mestrado acadêmico em Comunicação e Informação) - Programa de Pós-Graduação em Comunicação e Informação, Universidade Federal do Rio Grande do Sul, Porto Alegre, 2015.
MARQUES, Sílvia Cristina Aguetoni. A imagem-tempo nos filmes de arte. Parágrafo. v.1. n. 2, p. 09-22, nov. 2013. Disponível em: <http://revistaseletronicas.fiamfaam.br/index.php/recicofi/article/view/122/242>. Acesso em: 14 out. 2019.
MCKITTRICK, Casey. I Laughed and Cringed at the Same Time: Shaping Pedophilic Discourse around American Beauty and Happiness. The Velvet Light Trap, n. 47, p. 3+. 2001. Disponível em: < https://go.gale.com/ps/anonymous?id=GALE%7CA133947277&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=01491830&p=AONE&sw=w >. Acesso em: 11 jan. 2020.
PARENTE, André. Cinema: Deleuze. Campinas: Papirus, 2013.
PEIRCE, Charles Sanders. Antologia filosófica. In: ROSA, António Machuco (Org.). Portugal/Imprensa Nacional: Casa da Moeda, 1998.
______. Collected Papers. Edited by Charles Hartshorne and Paul Weis. Cambridge: Harvard University Press, 1931-1935. (v.1; Citado como CP 1).
______. Collected Papers. Edited by Charles Hartshorne and Paul Weis. Cambridge: Harvard University Press, 1931-1935. (v. 2; Citado como CP 2).
______. Collected Papers. Edited by Charles Hartshorne and Paul Weis. Cambridge: Harvard University Press, 1931-1935. (v. 5; Citado como CP 5).
SILVA, Alexandre da R.; ARAÚJO, André C. da S. Semioses do movimento e do tempo no cinema. In: CONGRESSO BRASILEIRO DE CIÊNCIAS DA COMUNICAÇÃO, 34. 2011, Recife. Anais... Recife: INTERCOM, 2011. Disponível em:
intercom.org.br/papers/nacionais/2011/resumos/R6-1357-1.pdf>. Acesso em: 16 out. 2019.
SILVA, Paloma Ferreira Coelho. “Olhe bem de perto”: a construção dos discursos sobre a família nos filmes hollywoodianos contemporâneos. 2012. 210 f. Dissertação (Mestrado) - Pontifícia Universidade Católica de Minas Gerais, Programa de Pós-Graduação em Ciências Sociais, Belo Horizonte, 2012.
SMITH, David L. Beautiful Necessities: American Beauty and the Idea of Freedom. Journal of Religion & Film, v. 6, n. 2. 2016. Disponível em: <https://digitalcommons.unomaha.edu/jrf/vol6/iss2/1>. Acesso em: 17 maio 2019.
SOARES, Aquiles J. H.; NETO, José P. da Silva; FALCÃO, Carolina C. O poder simbólico no filme Beleza Americana, uma análise semiótica. In: MOSTRA DE PESQUISA EM CIÊNCIA E TECNOLOGIA, 2018. Caruaru, PE. Anais... Disponível em <https://www.even3.com.br/anais/mpct2018/>. Acesso em 14 out. 2019.
TEIXEIRA, Raphael M. Beleza Americana: desconstrução ou reafirmação do American Way of Life? RUA – Revista Universitária de Audiovisual, 2012. Disponível em: <http://www.rua.ufscar.br/beleza-americana-desconstrucao-ou-reafirmacao-do-american-way-of-life/>. Acesso em: 16 out. 2019.
Downloads
Published
How to Cite
Issue
Section
License
The submission of originals to this journal implies the transfer, by the authors, of the printed and digital publication rights. The copyrights for the published articles belong to the author, with the rights of the journal over the first publication. The authors can only use the same results in other publications, clearly indicating this journal as the source of the original publication. Because we are an open-access journal, the free-of-charge,educational, scientific, and non-commercial use of the papers is allowed, as long as the source is cited.
Authorship
Any person who has effectively participated in the conception of the study, the development of the experimental part, the analysis and interpretation of data and the final wording, is considered as an author. By submitting an article for publication in E-Compós Journal, the author agrees with the following terms: 1. The author keeps the rights on the article, but its publication in the journal automatically implies the full and exclusive disposal of the copyright rights for the first edition, without payment. 2. The ideas and opinions expressed in the article are the sole responsibility of the author, not necessarily reflecting the views of the journal. 3. After the first publication, the author is authorized to take additional contracts, independent of the journal, for the dissemination of the paper by other means (e.g. when publishing in the institutional repository or as a book chapter), provided that the complete citation of the original publication. 4. The author of a published article is allowed and is stimulated to distribute his work online, always with the proper citation of the first edition.
Conflicts of interest and research ethics
If the developed research or the publication of the article may raise doubts as to potential conflicts of interest, the author should declare, in a final note, that no links to funding bodies have been omitted, as well as to commercial or political institutions. Similarly, the institution to which the author is bound should be mentioned, as well as others that may have collaborated in the execution of the study, evidencing that there are no conflicts of interest with the result already presented. It is also necessary to inform that the interviews and experiences involving human beings have obeyed the established ethical procedures for scientific research. The names and addresses informed in this journal will be used exclusively for the services provided by this publication, not made available for other purposes or to third parties. The copyrights belong exclusively to the authors. The licensing rights used by the journal consist in the Creative Commons Attribution 4.0 (CC BY 4.0) license: sharing (copying and distribution of the material in any media or format) and adaptation (remix, transformation and creation of material from licensed content for any purposes, including commercial) are permitted.
