Regimes passionais do MBL na eleição presidencial de 2018
Passionate regimes of MBL in the 2018 presidencial campaign
DOI:
https://doi.org/10.30962/ec.2107Keywords:
1. Communication and politics 2. Passionate regimes 3. MBLAbstract
In this paper we examine MBL posts in Facebook, from September to October 2018, during the campaign for presidential elections, in order to map values and passionate regimes. We face the following research question: How did MBL enunciator elaborate its communication contracts so as to build -- in terms of values, themes and affections -- its main discourse? How did it adjust and interpret various facts during the campaign in order to unify the right-wing field around Bolsonaro's candidacy? How was this construction linked to the political polarization? The investigation aims, from the polarization of the spectrum of political positions, to verify the communication contracts and the passionate paths of the enunciator. The methodology is anchored in the tensive semiotics of Fontanille and Zilberberg.Downloads
References
BUENO, A. M. Para uma gramática da intolerância. In: Entremeios: revista de estudos do discurso. v.10, jan. jun. 2015.
BRAGA, J.L.W. et all. Matrizes interacionais - a comunicação constrói a sociedade. Campina Grande: Editora da Universidade Estadual da Paraíba, 2017.Universidade Estadual da Paraíba, 2017.
CARLÓN, M. La cultura mediática contemporánea: otro motor, otra combustión (Segunda apropriación de la Teoría de la Comunicación de Eliseo Verón: la dimensión espacial). [Prelo, enviado pelo autor], 2018.
FAUSTO NETO, A. Circulação: trajetos conceituais. In: Rizoma, v.6, n.2, p.8. Santa Cruz do Sul, dezembro 2018.
________________. A circulação além das bordas. Mediatización, sociedad y sentido: diálogos Brasil y Argentina. Rosário: UNR, 2010.
FONTANILLE, J.; ZILBERBERG, C. Tensão e significação. São Paulo: Humanitas, 2001.
FONTENELLE, I. A. A dialetical reflection on the emergence of the ‘citizen as consumer’ as neoliberal citizen-ship: the 2013 Brazilian protests illustration. Journal of Consumer Culture. https://doi.org/10.1177/1469540518806939. London, Sage, 2018.
GREIMAS, A. J. Sobre o sentido II. Ensaios semióticos. São Paulo: Edusp/Nankin, 2014.
HONNETH, A. La sociedad del desprecio. Madri: Editorial Trotta, 2011.
LACLAU, E.; MOUFFE, C. Hegemonia e estratégia socialista. São Paulo: Intermeios, 2015.
PRADO, J.L.A. Polarização e insatisfação midiatizadas no capitalismo comunicacional: como manter a demo-cracia. Texto apresentado no Ciseco 2018. Jarapatinga: Ciseco, 2018.
_____________. Comunicação e reinvenção acontecimental da política. In: Reinvenção comunicacional da política. Brasília: Compós, 2016.
______________. Afetos em confronto. Quem vai para a rua? Palestra apresentada no Seminário Afetos. Rio de Janeiro, UFRJ, 2016a ( a ser publicado em livro em 2018, organizado por João Freire Filho).
______________. Da convocação da alma gêmea ao acontecimento amoroso. In: PINHEIRO, A.; SALLES, C. Jornalismo expandido. Práticas, sujeitos e relatos entrelaçados. São Paulo: Intermeios, 2015.
______________. Comunicação como epistemologia do sul: do reconhecimento à emergência do acontecimen-to. In: Matrizes. V.9, n.2, jul./dez., pp. 109-125. São Paulo: ECA-USP, 2015a.
______________. Convocações biopolíticas dos dispositivos comunicacionais. São Paulo: Educ, 2013.
______________. Regime de visibilidade em revistas. São Paulo: PUC-SP, 2011. 1 DVD, 2011.
______________. A invenção do Mesmo e do Outro na mídia semanal. DVD. São Paulo: PUC-SP, Um dia sete dias – Grupo de Pesquisas em Mídia Impressa, 2008.
PRADO, J.L.A; PRATES, V. O afastamento de Dilma Rousseff: afetos e discursos em disputa na política. Revista Famecos. Porto Alegre: PUC-RS, 2019 (prelo).
________________________. O significante “povo brasileiro” na crise política do impeachment de Dilma Rousseff. Texto apresentado na Conferência Internacional Patologias e disfunções da democracia, na Univer-sidade Beira Interior, Covilhã, Portugal (a ser publicado em livro em 2019, organizado por Helder Prior), 2017.
_________________________. (org.). Sintoma e fantasia no capitalismo comunicacional. São Paulo: Estação das Letras e Cores, 2017a.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Jose Luiz Aidar Prado, Vinicius Prates
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
The submission of originals to this journal implies the transfer, by the authors, of the printed and digital publication rights. The copyrights for the published articles belong to the author, with the rights of the journal over the first publication. The authors can only use the same results in other publications, clearly indicating this journal as the source of the original publication. Because we are an open-access journal, the free-of-charge,educational, scientific, and non-commercial use of the papers is allowed, as long as the source is cited.
Authorship
Any person who has effectively participated in the conception of the study, the development of the experimental part, the analysis and interpretation of data and the final wording, is considered as an author. By submitting an article for publication in E-Compós Journal, the author agrees with the following terms: 1. The author keeps the rights on the article, but its publication in the journal automatically implies the full and exclusive disposal of the copyright rights for the first edition, without payment. 2. The ideas and opinions expressed in the article are the sole responsibility of the author, not necessarily reflecting the views of the journal. 3. After the first publication, the author is authorized to take additional contracts, independent of the journal, for the dissemination of the paper by other means (e.g. when publishing in the institutional repository or as a book chapter), provided that the complete citation of the original publication. 4. The author of a published article is allowed and is stimulated to distribute his work online, always with the proper citation of the first edition.
Conflicts of interest and research ethics
If the developed research or the publication of the article may raise doubts as to potential conflicts of interest, the author should declare, in a final note, that no links to funding bodies have been omitted, as well as to commercial or political institutions. Similarly, the institution to which the author is bound should be mentioned, as well as others that may have collaborated in the execution of the study, evidencing that there are no conflicts of interest with the result already presented. It is also necessary to inform that the interviews and experiences involving human beings have obeyed the established ethical procedures for scientific research. The names and addresses informed in this journal will be used exclusively for the services provided by this publication, not made available for other purposes or to third parties. The copyrights belong exclusively to the authors. The licensing rights used by the journal consist in the Creative Commons Attribution 4.0 (CC BY 4.0) license: sharing (copying and distribution of the material in any media or format) and adaptation (remix, transformation and creation of material from licensed content for any purposes, including commercial) are permitted.
