"Iracema, uma transa amazônica" (1974) in Brazilian cinema
DOI:
https://doi.org/10.30962/ec.304Keywords:
Estudos culturais, raça, cinema brasileiro.Abstract
As discursive practices related to social hierarchy in Brazil, racial categories are presented in some dramas staged in Brazilian movies. This essay intends to analyze the movie “Iracema, uma transa amazônica”(1974), directed by Jorge Bodansky and Orlando Senna, in order to understand the ways “nation” and “race” contradict or complete themselves. We follow the hypothesis that the movie articulates a transition between two discursive formations: national-popular and identity.Downloads
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