Only German music can be serious? Prelude to a geopolitics of music
DOI:
https://doi.org/10.30962/ec.883Keywords:
Estética, Epistemologia, CulturaAbstract
From the analysis of Adorno’s formalism and Nietzsche’s tragic spirit, in their theoretical considerations about the music, raises the hypothesis that they produce lines of force, immanent to the territorial and cultural context of its production and listening, drawing a geopolitical that might result in a proposition of a space matrix in order to build an aesthetic sense. What sustain such evidences are the constant inferences that these authors make to the universal character of the music contained in a presumed “German spirit”, confusing their epistemological positions with the territorial boundaries of their cultures. Keywords Aesthetics. Epistemology. Culture.Downloads
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