A música na era de suas tecnologias de reprodução
DOI:
https://doi.org/10.30962/ec.92Keywords:
Música massiva, Tecnologias sonoras, CiberculturaAbstract
The paper aims to comprehend the musical reconfiguration of cyberculture articulated to aspects of a cultural history of sound technologies in the modernity, in order to avoid a deterministic and linear aproach to this problem. In the first section, the analyses focus on the productioncirculation-consumption circuit of the massive music, organized in three axis: 1) electro-magnetics and recording technologies 2) musicals instruments 3) auditions and storage artefacts. In the second section, the analyses is on samples of cyberculture musical practices, when we enphazise the need to consider the new modes of mediationsDownloads
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