O menino e o mundo (2013) by Alê Abreu

Authors

  • Fabio Uchoa

DOI:

https://doi.org/10.30962/ec.1419

Keywords:

Cinema de animação, O campo e a cidade, Discurso indireto livre

Abstract

The purpose is to analyze the animation O menino e o mundo (2013) by Alê Abreu, taking into account thematic, narrative and interpretive aspects. This includes, respectively: a) questioning the peculiarities relating to the representation of the countryside and the city (Bernardet, 1980); b) identifying a narrative structure with playful moments of free indirect style appearance (Pasolini, 1989), where the enunciation regimes are altered; c) examining the artistic gesture of O menino e o mundo, with its traces of transforming utopia, not unambiguously, inserting it among other imaginaries that take up the right to the city (Harvey, 2013; Lefebvre, 1999), under the echoes of 2013 journeys.

Downloads

Download data is not yet available.

Published

20-12-2018

How to Cite

Uchoa, F. (2018). O menino e o mundo (2013) by Alê Abreu. E-Compós, 21(3). https://doi.org/10.30962/ec.1419

Issue

Section

Artigos Originais