O papel da narrativa no projeto da sociedade empreendedora e na cultura da inspiração
DOI:
https://doi.org/10.30962/ec.1850Keywords:
Communication and consumption. Entrepreneurial culture. Culture of inspiration. Narrative. Discourse.Abstract
The role of narrative in the project of entrepreneurial society and in the culture of inspiration
Abstract
This work aims to deal with narratives as an object of study, in the context of entrepreneurship and the culture of inspiration, based on the theory of Bruner (1991) on the elements that characterize the narrative. When we approach critically the theme of entrepreneurship, we understand the fundamental role of inspirational narratives, which articulate discursive context and materiality, the spirit of time and subjectivity, economy and life trajectories. As an empirical object, we analyze the entrepreneurial self-help micronarratives of Blog Generation of Value in light of Bruner's narrative theory.
Downloads
References
ANGENOT, Marc. El discurso social: los limites históricos de lo pensable y lo decible. Buenos Aires: Siglo XXI, 2010.
BAJTÍN, Mikhail. Estética de la creación verbal. Buenos Aires: Siglo XXI, 2008.
BAKHTIN, Mikhail. (Voloshinov). Marxismo e filosofia da linguagem. São Paulo: Hucitec, 1997.
BECK, Ulrich. Sociedade de risco: rumo a uma outra modernidade. São Paulo: Ed. 34, 2011.
BOLTANSKI, Luc; CHIAPELLO, Ève. O novo espírito do capitalismo. São Paulo: Martins Fontes, 2009.
BROCKMEIER, Jens; HARRÉ, Rom. Narrativa: problemas e promessas de um paradigma alternativo. Psicologia: Reflexão e Crítica, v. 16, n. 3, p. 525-535, 2003.
BRUNER, Jerome. The narrative construction of reality. Critical Inquiry, v. 18, n. 1, p. 1-21, 1991.
BUONANNO, Milly. Histórias de vida exemplares. Biografias. MATRIZes, São Paulo, v. 5, n.1, p. 63-84, 2011.
BYUNG-CHUL, Han. La sociedad de la transparencia. Herder Editorial: Barcelona, 2013.
CASAQUI, Vander. Abordagem crítica da cultura da inspiração: produção de narrativas e o ideário da sociedade emprendedora. E-Compós, v. 20, n. 2, p. 1-18, 2017.
DARDOT, Pierre; LAVAL, Christian. A nova razão do mundo: ensaio sobre a sociedade neoliberal. São Paulo: Boitempo, 2016.
DRUCKER, Peter F. Inovação e espírito empreendedor: prática e princípios. São Paulo: Cengage Learning, 2011.
EHRENBERG, Alain. O culto da performance: da aventura empreendedora à depressão nervosa. Aparecida, SP: Ideias & Letras, 2010.
ENDEAVOR BRASIL/SEBRAE. 50 histórias para inspirar sua jornada empreendedora: um exemplo para chamar de seu. São Paulo: Endeavor Brasil / Sebrae, s/d. Disponível em: <http://info.endeavor.org.br/tp-ebook-50-historias>. Acesso em: 5 fev. 2020.
FIGUEIREDO, Camila B. Simurro. Celebridades empreendedoras e narrativas inspiracionais: pacotes biopolíticos de Bel Pesce e Flávio Augusto da Silva (Geração de Valor) no âmbito da comunicação e do consumo. 2018. 240 f. Dissertação (Mestrado) – Programa de Mestrado em Comunicação e Práticas de Consumo, Escola Superior de Propaganda e Marketing, 2018.
FOUCAULT, Michel. Birth of Biopolitics. New York: Palgrave Macmillan, 2008.
FREIRE FILHO, João (Org.) Ser feliz hoje: reflexões sobre o imperativo da felicidade. Rio de Janeiro: Ed. FGV, 2010.
GALLO, Carmine. TED: falar, convencer, emocionar; como se apresentar para grandes plateias. São Paulo: Saraiva, 2014.
JAMESON, Fredric. Arqueologías del futuro: el deseo llamado utopía y otras aproximaciones de ciencia ficción. Madrid: Ed. Akal, 2009.
KEDROWICZ, April A.; TAYLOR, Julie L. Shifting Rhetorical Norms and Electronic Eloquence: TED Talks as formal presentations. Journal of Business and Technical Communication, v. 30, n. 3, p. 352-377, 2016.
MARÍN-DÍAZ, Dora L. Autoajuda e educação: uma genealogia das antropotécnicas contemporâneas. 2012. 310 f. Tese (Doutorado em Educação) - Faculdade de Educação, Universidade Federal do Rio Grande do Sul, Porto Alegre, 2012.
PRADO, José L. Aidar. Decifrando os pontos sintomáticos do capitalismo comunicacional. In: ______; PRATES, Vinícius (Org.). Sintoma e fantasia no capitalismo comunicacional. São Paulo: Estação das Letras e Cores, 2017. p. 13-25.
______. Política do acontecimento. Famecos, v. 20, n. 2, p. 495-520, maio/ago. 2013.
SENNETT, Richard. A corrosão do caráter: consequências pessoais do trabalho no novo capitalismo. Rio de Janeiro: Record, 2007.
______. A cultura do novo capitalismo. Rio de Janeiro: Record, 2006.
SINATO, Angelina. Os discursos globalizados do empreendedorismo social: narrativas heroicas, mundos possíveis e consumo simbólico. 2016. 228 f. Dissertação (Mestrado) – Programa de Mestrado em Comunicação e Práticas de Consumo, Escola Superior de Propaganda e Marketing, 2016.
Downloads
Published
How to Cite
Issue
Section
License
The submission of originals to this journal implies the transfer, by the authors, of the printed and digital publication rights. The copyrights for the published articles belong to the author, with the rights of the journal over the first publication. The authors can only use the same results in other publications, clearly indicating this journal as the source of the original publication. Because we are an open-access journal, the free-of-charge,educational, scientific, and non-commercial use of the papers is allowed, as long as the source is cited.
Authorship
Any person who has effectively participated in the conception of the study, the development of the experimental part, the analysis and interpretation of data and the final wording, is considered as an author. By submitting an article for publication in E-Compós Journal, the author agrees with the following terms: 1. The author keeps the rights on the article, but its publication in the journal automatically implies the full and exclusive disposal of the copyright rights for the first edition, without payment. 2. The ideas and opinions expressed in the article are the sole responsibility of the author, not necessarily reflecting the views of the journal. 3. After the first publication, the author is authorized to take additional contracts, independent of the journal, for the dissemination of the paper by other means (e.g. when publishing in the institutional repository or as a book chapter), provided that the complete citation of the original publication. 4. The author of a published article is allowed and is stimulated to distribute his work online, always with the proper citation of the first edition.
Conflicts of interest and research ethics
If the developed research or the publication of the article may raise doubts as to potential conflicts of interest, the author should declare, in a final note, that no links to funding bodies have been omitted, as well as to commercial or political institutions. Similarly, the institution to which the author is bound should be mentioned, as well as others that may have collaborated in the execution of the study, evidencing that there are no conflicts of interest with the result already presented. It is also necessary to inform that the interviews and experiences involving human beings have obeyed the established ethical procedures for scientific research. The names and addresses informed in this journal will be used exclusively for the services provided by this publication, not made available for other purposes or to third parties. The copyrights belong exclusively to the authors. The licensing rights used by the journal consist in the Creative Commons Attribution 4.0 (CC BY 4.0) license: sharing (copying and distribution of the material in any media or format) and adaptation (remix, transformation and creation of material from licensed content for any purposes, including commercial) are permitted.