Ordinary and everyday communication in a market in Belém
DOI:
https://doi.org/10.30962/ec.2504Keywords:
Intersubjectivity, Typification, Daily life, Chatter, FairAbstract
This article describes an ethnographic research carried out at the Guamá fair, in Belém (PA), during the years 2011 to 2018. The objective was to understand the communicational and cultural processes present in the social interactions of this fair, thus trying to describe the typifications that make up the intersubjectivity of the social subjects who attend it. In this way, these typifications are described and discussed as the social form of a banal everyday life and an attempt is made to think about these typifications through the Heideggerian notion of chatter (Gerede), understood as a communicational-cultural process affected by the banality of everyday life.
Downloads
References
BENJAMIN, W. A origem do drama barroco alemão. Tradução de Sergio Paulo Rouanet. São Paulo: Brasiliense, 1984.
______. Paris, Capitale du XIXème siècle: Le livre des passages. Paris: Editions du Cerf, 1996.
BOURRIAUD, N. Estética relacional. Tradução de Denise Bottmann. São Paulo: Martins Fontes, 2009.
CASTRO, M. R. N. de. A arte na sua cotidianidade: uma percepção de arte na feira do Guamá. 154 f. 2013. Dissertação (Mestrado em Artes) – Programa de Pós-Graduação em Artes, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2013.
CHARONE, O. O teatro dos pássaros como uma forma de espetáculo pós-moderno. Ensaio Geral, v. 1, n. 1, p. 1-9, 2009.
COOREN, F. Action and Agency. Dialogue: Passion, Incarnation and Ventriloquism. Amsterdan: John Benjamins Publishing, 2010.
DELEUZE, G.; GUATTARI, F. Mil Platôs: Capitalismo e Esquizofrenia – v. 3. Tradução de Aurélio Guerra Neto Etalii. 1. reimp. Rio de Janeiro: Editora 34, 1999.
DERRIDA, J. Mal d’archive: une impression freudienne. Paris: Galilée, 1995.
FONSECA DE CASTRO, F. Fenomenologia da comunicação em sua quotidianidade Intercom – Revista Brasileira de Ciências da Comunicação, v. 36, n. 2, p. 21-39, 2013.
GARFINKEL, H. Studies in Ethnomethodology. Englewood Cliffs, NJ: Prentice-Hall, 1967.
GEERTZ, C. Nova luz sobre a antropologia. Rio de Janeiro: Jorge Zahar, 1983.
GOFFMAN, E. Ritual de interação: ensaios sobre o comportamento face a face. Tradução de Fábio Rodrigues Ribeiro da Silva. Petrópolis: Vozes, 2011.
GRANOVETTER, M. The Strength of Weak Ties: a Network Theory Revisited. Sociological Theory, v. 1, n. 2, p. 201-233, 1983.
GREISH, J. Ontologie et temporalité. Esquisse d’une interprétation intégrale de Sein und Zeit. Paris: PUF, 1994.
HEIDEGGER, M. Sein und Zeit. In: HEIDEGGER, M. Gesamtausgabe. II vol. Frankfurt: Vittorio Klostermann, 1976.
______. Conferências e escritos filosóficos. Tradução e notas de Ernildo Stein. São Paulo: Nova Cultura, 1989. (Coleção Os Pensadores).
______. Être et temps. Paris: Authentica, 1985.
______. Les concepts fondamentaux de la métaphisyque: monde – finitude – solitude. Paris: Gallimard, 1992.
______. Ser e tempo. 2 vols. 4. ed. Tradução de Marci Sá Cavalcante Schuback. Petrópolis: Vozes, 1993.
HUSSERL, E. L’Idée de la phenomenologie. Paris: PUF, 1992.
LÉVI-STRAUSS, C. Mythologiques. v. IV: “L’homme nu”. Paris: Plon, 1971.
MAFFESOLI, M. A contemplação do mundo. Porto Alegre: Artes e Ofícios, 1995.
MAGNANI, J. G. Festa no pedaço: cultura popular e lazer na cidade. São Paulo: Hucitec, 1998.
MESCHONNIC, H. Le langage Heidegger. Paris: PUF, 1990.
MERLEAU-PONTY, M. De Mauss a Claude Lévi-Strauss. Textos Selecionados. São Paulo: Editora Abril Cultural, 1984. (Coleção Os Pensadores).
PASQUA, H. Introduction à la lecture de Être et temps de Martin Heidegger. Lausanne: L’Age d’Homme, 1993.
PARSONS, T. The Structure of Social Action: a Study in Social Theory with Special Reference to a Group of Recent European Writers. Nova York: McGraw-Hill, 1937.
PEIRANO, M. A favor da etnografia. Rio de Janeiro: Relume-Dumará, 1995.
RICOEUR, P. Temps et récit 3: Le temps raconté. Paris: Seuil, 1985.
______. Hermenêutica e ideologias. 2. ed. Petrópolis: Vozes, 2011.
SCHUTZ, A. Phenomenology of the Social World. Evanston: North-Western, 1967.
SIMMEL, G. Sociologie : etudes sur les formes de la socialization. Paris: PUF, 1999. (Coleção Sociologies).
______. Questões fundamentais da sociologia. Rio de Janeiro: Jorge Zahar, 2006.
WHITE, B. Rumba Rules: the Politics of Dance Music in Mobutu’s Zaire. Durhan: Duke University Press, 2008.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Marina Ramos Neves de Castro, Fabio Fonseca de Castro
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
The submission of originals to this journal implies the transfer, by the authors, of the printed and digital publication rights. The copyrights for the published articles belong to the author, with the rights of the journal over the first publication. The authors can only use the same results in other publications, clearly indicating this journal as the source of the original publication. Because we are an open-access journal, the free-of-charge,educational, scientific, and non-commercial use of the papers is allowed, as long as the source is cited.
Authorship
Any person who has effectively participated in the conception of the study, the development of the experimental part, the analysis and interpretation of data and the final wording, is considered as an author. By submitting an article for publication in E-Compós Journal, the author agrees with the following terms: 1. The author keeps the rights on the article, but its publication in the journal automatically implies the full and exclusive disposal of the copyright rights for the first edition, without payment. 2. The ideas and opinions expressed in the article are the sole responsibility of the author, not necessarily reflecting the views of the journal. 3. After the first publication, the author is authorized to take additional contracts, independent of the journal, for the dissemination of the paper by other means (e.g. when publishing in the institutional repository or as a book chapter), provided that the complete citation of the original publication. 4. The author of a published article is allowed and is stimulated to distribute his work online, always with the proper citation of the first edition.
Conflicts of interest and research ethics
If the developed research or the publication of the article may raise doubts as to potential conflicts of interest, the author should declare, in a final note, that no links to funding bodies have been omitted, as well as to commercial or political institutions. Similarly, the institution to which the author is bound should be mentioned, as well as others that may have collaborated in the execution of the study, evidencing that there are no conflicts of interest with the result already presented. It is also necessary to inform that the interviews and experiences involving human beings have obeyed the established ethical procedures for scientific research. The names and addresses informed in this journal will be used exclusively for the services provided by this publication, not made available for other purposes or to third parties. The copyrights belong exclusively to the authors. The licensing rights used by the journal consist in the Creative Commons Attribution 4.0 (CC BY 4.0) license: sharing (copying and distribution of the material in any media or format) and adaptation (remix, transformation and creation of material from licensed content for any purposes, including commercial) are permitted.
