Mise-en-scène and aesthetic experience: the work of the spectator in Like water through stone (A falta que me faz)

Authors

  • César Geraldo Guimarães
  • Cristiane da Silveira Lima
  • Victor Ribeiro Guimarães

DOI:

https://doi.org/10.30962/ec.880

Keywords:

Documentário. Experiência estética. Mise-en-scène. Espectador.

Abstract

By focusing on the filmic writing of Like water through stone (A falta que me faz), this paper seeks to describe the practical learning (of both the senses and meaning) that the movie session offers to the spectator. For this purpose, we try to identify the links between documentary mise-en-scène and the (psychic, sensorial, affective, imaginary) engagement that it demands from the spectator. We aim, on that account, at reaching a via media between filmic scene and the spectator’s experience, so as to apprehend the ways in which it crosscuts (by means of identification as well as strangeness) the initial relation established between who films and the filmed subjects. Keywords Documentary. Aesthetic experience. Mise-en-scène. Spectator.

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Published

14-06-2013

How to Cite

Guimarães, C. G., Lima, C. da S., & Guimarães, V. R. (2013). Mise-en-scène and aesthetic experience: the work of the spectator in Like water through stone (A falta que me faz). E-Compós, 16(1). https://doi.org/10.30962/ec.880

Issue

Vol. 16 No. 1 (2013)

Section

Artigos Originais

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