Rhythms and correspondences: the visual representation of music in the films by Rose Lowder
DOI:
https://doi.org/10.30962/ec.1461Keywords:
cinema experimental, música, flickerAbstract
In this article, we explore the relationships between experimental cinema, especially the so called flicker cinema, and music. We make a brief history of diverse experiences that seek to create a visual representation of music until the avant-garde cinema and experimental cinema. Then we take a closer look at the work of Rose Lowder, a filmmaker who has produced 16mm films since the 1970s and uses the flicker technique. Her work, which also includes graphic notations for the filming, can be associated to the musical phenomenon in many aspects.
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