Almeida Salles em O Estado de S. Paulo
realismo ambivalente, autoria e ato crítico
DOI:
https://doi.org/10.30962/ec.2013Keywords:
Crítica de cinema., O Estado de S. Paulo., Francisco Luiz de Almeida SallesAbstract
The general theme is the path of Francisco Luiz de Almeida Salles in O Estado de S. Paulo, of which he was editor in charge of film criticism between 1950 and 1961. We try to define the continuities of his writing, including forms, themes, postulates of daily criticism, as well as the theoretical option for an ambivalent realism. For this, we take as methodological inspiration the mapping of its "critical act" (Antônio Cândido), elucidating that its main field of maneuver will be the biographical/authorial, examined as place of commitment of the relations between the rational and the sensible.
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Artigos de Almeida Salles usados neste artigo
SALLES, Francisco Luiz de Almeida. Cinema e verdade. O Estado de S. Paulo, São Paulo, 30 out. 1965. p. 39.
______. Em louvor a Person. O Estado de S. Paulo, São Paulo, 9 out. 1965. p. 41.
______. Em defesa de Pietro Germi. O Estado de S. Paulo, São Paulo, 3 abr. 1965. p. 1
______. O “Potemkim”, de S. M. Eisenstein. O Estado de S. Paulo, São Paulo, 25 nov. 1961. p. 16.
______. Teoria do cinema. O Estado de S. Paulo, São Paulo, 19 dez. 1959. p. 5
______. A regra e o jogo. O Estado de S. Paulo, São Paulo, 7 nov. 1959. p. 5
______. O mestre Hitchcock. O Estado de S. Paulo, São Paulo, 26 abr. 1959. p. 64
______. Rossellini: o homem e o artista. O Estado de S. Paulo, São Paulo, 19 ago. 1958. p. 9.
______. Didática da crítica de cinema. O Estado de S. Paulo, São Paulo, 10 nov. 1956. p. 1
______. O mito, a obra e o homem. O Estado de S. Paulo, São Paulo, 25 maio 1957. p. 48.
______. O Expresso de Xangai. O Estado de S. Paulo, São Paulo, 15 set. 1956. p. 6
______. Jean Epstein. O Estado de S. Paulo, São Paulo, 18 jul. 1954. p. 69
______. Arroz Amargo. O Estado de S. Paulo, São Paulo, 3 mar. 1951, p. 4.
______. A mulher sem nome. O Estado de S. Paulo, São Paulo, 31 jan. 1951, p. 5
______. Feras que foram homens. O Estado de S. Paulo, São Paulo, 30 dez. 1950. p. 4.
______. Sem piedade. O Estado de S. Paulo, São Paulo, 21 dez. 1950. p. 5.
______. Cinema – técnica ou arte? O Estado de S. Paulo, São Paulo, 03 out. /22 out. 1950. p. 8.
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